--------------------------------------------------- "Vanishing Point" Exhibit Dates ---------------------------------------------------

None currently scheduled.

------------------------------------------------------- Upcoming Special Events -------------------------------------------------------


None currently scheduled.

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About Us

Photoji Project is: photographer Elizabeth Barbush, writer Gabriel DellaVecchia, interviewer/coordinator Makie Sugawara, interviewer/community liaison Takaharu Saito, and photographer Maki Otomo. Although we come from various backgrounds and two different countries, the five of us share a commitment to cultural sustainability and to the power of art as a tool for education and social change.

In August 2010, we spent three weeks documenting, through photographs, interviews, and audio recordings, the historically important onsen hot spring town of Naruko in the Tohoku region of Japan. We centered our explorations on the concept of toji: the traditional ritual of staying in a hot spring town for an extended period for the purposes of rejuvenation.

The original intention of the project was to exhibit our findings in Sendai, the largest city in the region, to highlight for the people there a fading cultural treasure located in their own backyard.

Then came the Great East Japan Earthquake on March 11th, 2011. Over the course of one terrible, bitterly cold winter afternoon, everything in this region of the world changed.

In a strange twist of fate, fading Naruko, home to hundreds of usually empty hotel rooms, became a refuge for 1000 tsunami victims, relocated there by the prefectural government. The ritual of toji, staying in an onsen town for an extended period in order to heal, has taken on an entirely new meaning.

Photoji Project returned to Naruko in May and June 2011, nearly one year after our original visit, to document how a place that was written off has now become safe haven for hundreds of families.

We are currently planning to share our exhibit "Vanishing Point" at two locations in California: first at the Little Tokyo Koban and Visitors' Center in Los Angeles (August 2011) and then at Elsewhere Gallery in the Bay Area (September 2011), during which we hope to raise money for the struggling businesses and tsunami refugees in Naruko.

Please share this blog and help us spread the word about this overlooked corner of Japan.

Photoji Project(フォトージ・プロジェクト)は、写真担当のエリザベス・バーブッシュ、ライターのガブリエル・デラベキア、取材/コーディネーターの菅原牧枝、取材/コミュニティ・リエゾンの齋藤高晴、写真担当の大友眞妃からなるプロジェクトです。
出身国も経歴も異なるメンバーに共通しているのは、教育や社会問題解決手段としてのアートの可能性や、文化の持続可能性に強く関心を持っていること。湯治文化の残る宮城県大崎市鳴子温泉で、湯治旅館やこけし職人等、30名以上の方々に写真撮影とインタビューを行ってきました。
2010年秋に、鳴子温泉駅での写真展「The Future of Tradition」を開催。
2011年夏には、ロサンゼルスとサンフランシスコで写真展「Vanishing Point」を開催予定です。

Saturday

Vegetable Somalier – Osawa Eriko-san



Lunch at Big Star. The restaurant has been in operation for 17 years. It started as a karaoke box, with just a few food items. There was a huge sign on the roof back then, KA-RA-O-KE, which was an eyesore. Especially when the “ra” fell off, leaving a sign that looked like the word for “coffin”.  They took the sign down, put up a new fence, then 3-4 years ago was reborn. Half is still karaoke boxes, but the other half is now a fine-dining bistro, all white walls, pendulum lighting, white plates, like a bistro in Tokyo or NYC. The reason for the change is the owner’s daughter, Osawa Eriko-san.  She was born and raised in Naruko, left for Tokyo for university and lived there for about 8 years. She did not pursue a culinary degree, she studied fashion design. But during her years in Tokyo, she found herself increasingly interested in food, and the more she visited restaurants, the more she realized that the food she ate in Naruko was far superior to anything she ate in the big city. Fresher, more flavorful…

So, she returned to Sendai, where she tried to be a baker, worked at a famous sweets shop for one year, but then discovered program to get a certificate as a vegetable somalier. She obtained the certificate, then returned to her mother’s restaurant, overhauling the menu, making fine vegetable based dishes.
Until recently, only locals were coming to the restaurant, especially for dinner. In the last year, as the restaurant has ended up in national media, they are getting increasing guests from all around Japan, especially for lunch (dinner is still mostly locals).

The food was a stacked greens salad, a sweet corn soup, (nothing added), and the main dish, which was ancient rice with spouts, greens, vegetables. Desert was a chilled gelatin dessert with fresh fruits.
When Osawa-san first returned, she began to cook with more local vegetables, and of course began to use the onsen again. After a long history of skin problems, after 3 weeks of fresh vegetables and onsen, her skin problems cleared up.

She has discussed joint programs with the ryokans, but nothing has happened. Big Star dinner as part of the onsen tour was the first joint program offered by Big Star in conjunction with a ryokan.

She is currently 31 years old, when she was growing up, she thought it was a boring country place. But after living in Tokyo and returning, she is really glad to be back, which was a sentiment echoed by a few people who left and came back.

It would be interesting to hear something from someone who grew up in a big city and then moved to Naruko, if they would feel the same.

She said her favorite place was the lone tree in the rice field on the Way of the Wind, which many people agree as their favorite place. It is one place that has not changed within anyone’s memory.

August 10, 2010

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