--------------------------------------------------- "Vanishing Point" Exhibit Dates ---------------------------------------------------

None currently scheduled.

------------------------------------------------------- Upcoming Special Events -------------------------------------------------------


None currently scheduled.

_________________________________________________________________________________________________________________________

About Us

Photoji Project is: photographer Elizabeth Barbush, writer Gabriel DellaVecchia, interviewer/coordinator Makie Sugawara, interviewer/community liaison Takaharu Saito, and photographer Maki Otomo. Although we come from various backgrounds and two different countries, the five of us share a commitment to cultural sustainability and to the power of art as a tool for education and social change.

In August 2010, we spent three weeks documenting, through photographs, interviews, and audio recordings, the historically important onsen hot spring town of Naruko in the Tohoku region of Japan. We centered our explorations on the concept of toji: the traditional ritual of staying in a hot spring town for an extended period for the purposes of rejuvenation.

The original intention of the project was to exhibit our findings in Sendai, the largest city in the region, to highlight for the people there a fading cultural treasure located in their own backyard.

Then came the Great East Japan Earthquake on March 11th, 2011. Over the course of one terrible, bitterly cold winter afternoon, everything in this region of the world changed.

In a strange twist of fate, fading Naruko, home to hundreds of usually empty hotel rooms, became a refuge for 1000 tsunami victims, relocated there by the prefectural government. The ritual of toji, staying in an onsen town for an extended period in order to heal, has taken on an entirely new meaning.

Photoji Project returned to Naruko in May and June 2011, nearly one year after our original visit, to document how a place that was written off has now become safe haven for hundreds of families.

We are currently planning to share our exhibit "Vanishing Point" at two locations in California: first at the Little Tokyo Koban and Visitors' Center in Los Angeles (August 2011) and then at Elsewhere Gallery in the Bay Area (September 2011), during which we hope to raise money for the struggling businesses and tsunami refugees in Naruko.

Please share this blog and help us spread the word about this overlooked corner of Japan.

Photoji Project(フォトージ・プロジェクト)は、写真担当のエリザベス・バーブッシュ、ライターのガブリエル・デラベキア、取材/コーディネーターの菅原牧枝、取材/コミュニティ・リエゾンの齋藤高晴、写真担当の大友眞妃からなるプロジェクトです。
出身国も経歴も異なるメンバーに共通しているのは、教育や社会問題解決手段としてのアートの可能性や、文化の持続可能性に強く関心を持っていること。湯治文化の残る宮城県大崎市鳴子温泉で、湯治旅館やこけし職人等、30名以上の方々に写真撮影とインタビューを行ってきました。
2010年秋に、鳴子温泉駅での写真展「The Future of Tradition」を開催。
2011年夏には、ロサンゼルスとサンフランシスコで写真展「Vanishing Point」を開催予定です。

Saturday

One Step at a Time – Takahashi Seiyu-san



Although we had lived in his ryokan off-and-on for more than 2 weeks, we finally had a chance to sit down and talk with Seiyu-san, the owner of Kanshichiyu.

This is the 3rd time we sat down with him… he is the 7th generation owner of the property (which was opened in 1784!). It is one of the few in Higashi-Naruko to have existed when Date Masamune and his clan had their bath here. The lord placed a restriction on how much water the other baths could use, so this is one of the few onsen that was under those restrictions.

He is the 1st born son, so he always knew he would be taking over the business. He grew up in Naruko, but he lived away for awhile. He spent 4 years in Sendai for university, 2 years in Matsushima helping to manage a property there, and 1 year at a hotel in Kyoto. During the 3 years of working for other properties, he was specifically training himself to take over his family business: learning hospitality. When he was in Matsushima, he was actually the oldest of the young employees, having started post-university. But he was very motivated to work as hard as he could. For two reasons: first, he knew he was inheriting his family business and wanted to do well, and also he felt that , in those days, Japanese worked for the same company for life. So, knowing he was taking the job only to be there for a few years, he felt guilt and so while he couldn’t dedicate his life to the company, the least he could do was to give his all during the time he was there. Many of the things about hospitality in those days were geared more towards women, things like tea ceremony and flower arranging. Although traditionally practiced by both genders, by the time Seiyu-san was a young adult, they had moved firmly into the female realm and it definitely was only the women practicing (Seiyu-san being the exception).
He tried so hard that when he worked in Kyoto, the manager often felt that Seiyu-san was trying to show him up, and it resulted in some rivalry. Seiyu-san didn’t care about that, he just wanted to do a great job.
After his father passed away, he did move back to Naruko to take over the business.

It did used to be a much busier property, especially under his grandmother, who added the annex in 1958. Because there was no onsen within that building, it was never so popular, and in the last few years before it was shuttered, it was used to house the staff. 5 years ago it was shuttered entirely and is only opened for special events (like the annual AAF events – a gallery in 2009 and a childrens’ playground in 2010).

As far as cooperation with other inns, he did mention that there are more than one inn-owners association, but he wasn’t too keen on discussing what they do.

Although this is one of the most historic inns in Higashi-Naruko, it is still a bit big for the current amount of business. It has been nearly empty since we have been there.

August 15, 2010

No comments:

Post a Comment