--------------------------------------------------- "Vanishing Point" Exhibit Dates ---------------------------------------------------

None currently scheduled.

------------------------------------------------------- Upcoming Special Events -------------------------------------------------------


None currently scheduled.

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About Us

Photoji Project is: photographer Elizabeth Barbush, writer Gabriel DellaVecchia, interviewer/coordinator Makie Sugawara, interviewer/community liaison Takaharu Saito, and photographer Maki Otomo. Although we come from various backgrounds and two different countries, the five of us share a commitment to cultural sustainability and to the power of art as a tool for education and social change.

In August 2010, we spent three weeks documenting, through photographs, interviews, and audio recordings, the historically important onsen hot spring town of Naruko in the Tohoku region of Japan. We centered our explorations on the concept of toji: the traditional ritual of staying in a hot spring town for an extended period for the purposes of rejuvenation.

The original intention of the project was to exhibit our findings in Sendai, the largest city in the region, to highlight for the people there a fading cultural treasure located in their own backyard.

Then came the Great East Japan Earthquake on March 11th, 2011. Over the course of one terrible, bitterly cold winter afternoon, everything in this region of the world changed.

In a strange twist of fate, fading Naruko, home to hundreds of usually empty hotel rooms, became a refuge for 1000 tsunami victims, relocated there by the prefectural government. The ritual of toji, staying in an onsen town for an extended period in order to heal, has taken on an entirely new meaning.

Photoji Project returned to Naruko in May and June 2011, nearly one year after our original visit, to document how a place that was written off has now become safe haven for hundreds of families.

We are currently planning to share our exhibit "Vanishing Point" at two locations in California: first at the Little Tokyo Koban and Visitors' Center in Los Angeles (August 2011) and then at Elsewhere Gallery in the Bay Area (September 2011), during which we hope to raise money for the struggling businesses and tsunami refugees in Naruko.

Please share this blog and help us spread the word about this overlooked corner of Japan.

Photoji Project(フォトージ・プロジェクト)は、写真担当のエリザベス・バーブッシュ、ライターのガブリエル・デラベキア、取材/コーディネーターの菅原牧枝、取材/コミュニティ・リエゾンの齋藤高晴、写真担当の大友眞妃からなるプロジェクトです。
出身国も経歴も異なるメンバーに共通しているのは、教育や社会問題解決手段としてのアートの可能性や、文化の持続可能性に強く関心を持っていること。湯治文化の残る宮城県大崎市鳴子温泉で、湯治旅館やこけし職人等、30名以上の方々に写真撮影とインタビューを行ってきました。
2010年秋に、鳴子温泉駅での写真展「The Future of Tradition」を開催。
2011年夏には、ロサンゼルスとサンフランシスコで写真展「Vanishing Point」を開催予定です。

Saturday

The Silver Clubhouse - Toji Residents of Radon



We returned to radon Hot Springs to talk to their elderly toji residents. On a previous visit, we were told that between 3 and 5 elderly people had moved to the onsen and were living there.

We showed up unannounced and asked if there was anyone we could talk to. We were told that many of them were out: although elderly, many of them still have their own cars and lead active lives. They did tell us that one long-term resident was there, but was hard of hearing. Another woman was available who, while there just under a year and younger, would make for an easier interview subject.

We went to the toji residence. We spoke to them both: Sasaki-san, the younger one is in her late-60s, early 70s (her son is 47). She has been there just under one year. She is on a yearly contract and is planning on renewing for another year.

The other woman we spoke to was Honda-san, who is 82 and has been there for 7 years.
Sasaki-san said she has always enjoyed onsen and has been going since she was quite small. She had been to Radon on previous occasions. A few years ago, she started suffering from severe arthritis, especially in her shoulders as well as persistence lower back pain. The hospital could do nothing for her.

She finally went to Farmer’s House, an onsen in the main part of Naruko, and stayed there for a bit before people in Naruko recommended that she try Radon. She transferred the previous October (10 months prior) and within a few weeks, she had regained mobility in her shoulders. Whereas before, she couldn’t raise her arms above her head, she now has full mobility and her back pain has cleared up.

She takes baths about 4 times per day and credits the onsen with her recovery. She is very at-home there, she does has a car, so she is also able to get out. Her children are scattered about, but they do come and visit. The grandkids are used to her living there.

Honda-san first visited Radon prior to WWII. Since she was born in 1929, she was there as a girl. She never had any children. She worked as a nurse. She retired when she was 65 and spent 10 years retired before moving to Radon at 75. Although hard of hearing, it is not due to sound loss. She has something like tinnitus, which makes it difficult for her to understand things over the buzzing. She was VERY talkative and kept running out of the room to fetch more and more Buddhist items relating to the mistress of the house (a “Great Buddha” is Honda-san’s imagination).

The mistress of the toji residence is rather incredible. She truly does believe in the Buddhist ideas of compassion and forgiveness. She estimates she has lost about $500,000 in her years running the property by forgiving people who couldn’t pay. (In one instance, they had a guest who wanted to visit his family, so she lent him one of the inn’s vehicles. He smashed up the car, the police called her, and when she found out about it, she didn’t charge him.

Honda-san had a sister that worked as a translator during WWII…

All in all, the place is very relaxed and everyone seems to know one another.

As we were leaving, we met another woman who lives in Yamagata, but who travels to Radon every day.
Many older people will go there for one week, as a mini-toji, will go home, realize they don’t see many people in their day-to-day life anymore, and then they come back because they like the companionship. It is like an unofficial nursing home or a clubhouse. The seniors there were shockingly ambulatory and talkative.

August 17, 2010

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